Screening War: Perspectives on German Suffering (Screen Cultures: German Film and the Visual)
English | 2010 | ISBN: 1571134379 | PDF | 310 pages | 13,9 MB
The recent discovery of German wartime suffering has had a particularly profound impact in German visual culture. Films from Margarethe von Trotta's Rosenstrasse (2003) to Oliver Hirschbiegel's Oscar-nominated Downfall (2004) and the two-part television mini-series Dresden (2006) have explored how ordinary Germans suffered during and after the war.
Such films have been presented by critics as treating a topic that had been taboo for German filmmakers. However, the representation of wartime suffering has a long tradition on the German screen. For decades, filmmakers have recontextualized images of Germans as victims to engage shifting social and ideological discourses. By focusing on this process, the present volume explores how the changing representation of Germans as victims has shaped the ways in which both of the postwar German states and the now-unified nation have attempted to face the trauma of the past and to construct a contemporary place for themselves in the world. Contributors: Sean Allan, Tim Bergfelder, Daniela Berghahn, Erica Carter, David Clarke, John E. Davidson, Sabine Hake, Jennifer Kapczynski, Manuel Koppen, Rachel Palfreyman, Brad Prager, Johannes von Moltke.